Punch Card and Herbarium vol. 4

by CH40

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1.	Punch Card and Herbarium vol. 4 57:32	buy track
2.	First Snow (2009 edit) 15:55	buy track
3.	Snow Flakes (2009 edit) 16:55	buy track

about

«..Parking Mousterian culture cave Managua and in the grotto Apiana. The late Paleolithic and Mesolithic sites include Lechkov, Apiancha, and Cold grotto. Known and Neolithic sites Kistrik, the Lems. As shown by archaeological research, by the VI Millennium BC, the local population was engaged in not only..». - something like this was told very animatedly by Stas, with burning eyes and heart, deeply immersed in the study of the history of Abkhazia and the Caucasus.
I took a long drink. The wine was tart, and his cheekbones were tight. New Athos. It was getting dark, and we were sitting on a deserted beach. I stared out to sea and didn't really get into the story.
This was the first time I felt the breath of Eternity.
⠀
I constantly think about how this world works.
build / deconstruct / repeat.
build / deconstruct / repeat.
Erases an era, an era, a civilization, builds a new world on the ruins of a former civilization.
Sometimes it seems to me that the person who plays a cameo role in the crowd probably feels more sense in what is happening than I do, having a birth beginning and an r.i.p. end in this endlessly changing world.
Every second I ping the universe - does it make sense?
⠀
Today morning, when I pulled out of the parking, I met the stranger's eyes. He was driving, too. I gave him a friendly nod. He smiled sheepishly and nodded back.
In a minute each of us would be caught in the maelstrom of the day's events, but I felt that this small gesture gave us strength and support.
⠀
— Stop making sense! — mentally i slapped myself in the face and drove the car to the sea.

credits

released December 4, 2022

Punch Card and Herbarium vol. 4
liveact recorded on June 08, 2019
Crimea, Çerkez Kermen

First Snow and Snow Flakes
taken from the CH-archive, recorded in 2009
home studio 40rek, Rostov-on-Don

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CH40 Anapa, Russia

experiments with hypnotic polyrhythms, aloof melodies and minimalist structures.

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